Detail of Red

Red

So far, I have always worked with several colours, with Red I limited myself to one colour, but in different shades: ochre rouge, Rouge de Venise, vermilion. Again, I have worked with different layers and binders, such as marble powder, linseed oil and acrylic.
Ocre Rouge or iron oxide, is a pigment obtained by calcination of yellow ochre. The Venetian red is also based on iron oxide and has been used since antiquity for painting. Vermilion has been derived from mercury sulfide but here I used a synthetic pigment, which reacts a bit differently than the other two mineral pigments.

There are a lot of theories about the meaning of colours and the related personality types, and although some are very controversial, there are quite coincident assignments.
Roughly speaking, personality types differ according to their type of temperament (extrovert, introvert) and further regarding sensory perception, intuition, thinking and feeling.
The colour red is associated with extroverted, analytical thinking people. Allocated to red are such attributes like decisive, strong-willed, demanding, task & goal focused, powerful and positive thinking. “Red people” are full of energy and take immediately chances and challenges, tackle problems, and think later, maybe.
It could be that they do not pay much attention on the feelings of others.
No person is only red, just as the picture that I painted. It has different shades of red, which will be probably not perceived by many as red in the traditional sense. The middle part consists of several layers of ochre rouge, which is mixed with various binders and thus the layers are fairly discolored. The lower part consists of Venetian red, a deep, warm shade of red. The upper part is painted in several layers of vermilion on Venetian red. Depending on the source and intensity of light, the colours change.

When thinking about painting with one colour tone, red and blue came into my mind first. Seems, that I am not one hundred percent red 😉

Detail from Everyday Life

Everyday life

Rush, hurry up to get the subway, the bus, the plane, be on time at the office.
Countless phone calls, talking to employees and customers, power struggles.
In between eating a bit, little fresh air, always under time pressure.
Fast organizing a few personal things.  Shopping food online, something healthy, if possible.
Even more quickly, make a little sport.
Getting back home, tired.
Hardly time to breathe, few highlights.

This is how I painted the Everyday Life.

Ochre Rock

Playing with colours

By plastering walls using different materials and pigments, I came to abstract painting. I learned about plastering at OKHRA, a cooperative in the small village of Roussillon. There I buy most of the pigments I use.
When plastering a wall, I always prepare some colour examples, trying out different mixtures and shades, experimenting with different binders and opacity. I mostly use mineral pigments such as iron oxides in red, green, black and ultramarine (Lapislazuli) and earth pigments like ochres, sienna, umber. In Deep Blue I also used a plant based pigment, Indigo. Some pigments are suitable for transparent paints, others for opaque paints, like ochre.
The colours of the South of France, were the sun shines brightly but the light is soft and diffused, are subtle like the leafs on an olive tree and intensive like an ochre wall in bright sun.
Yellow and red ochre are parts of houses, fabrics, and the earth and contrasts wonderfully with the blue sky 😉
In the paintings La Terre, I mixed and layered these ochres. The colours changing their appearance from vibrant to mute depending on the amount of light surrounding.
Even around Fitou are some places were long time ago pigments and gypsum were mined, and it’s still beautiful to see the fading colours of these forgotten places.